Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Friday 13 March 2020

Here, here, a music inspired poem


Here

It’s just past midnight
And the dogs are barking,
Tethered and caged.
I stop writing to listen.
One sets off a chain,
An antiphonal chorus,
The same doggy message
Of desire and disappointment
Reaching across Europe,
Skipping the chill waves
To fetch up on the frigid
Shores of England, then
Disappearing inland.

I can hear a train.
It churns the dark sky,
Roiling the turbid clouds,
Like soup simmering
And then boiling over;
Its rhythm clamouring,
The noise thick in the air
Like a smell - cloying,
Greasy with hope,
Mechanical yet animal
In flavour.
I stop writing to listen,
My pen hovering …
It’s passing through,
People travelling
To ticketed destinations,
To faraway places.

On the radio,
The Szymanowski Quartet
Is building up momentum too,
In Elena Kats-Cherin’s For Rosa.
I close my eyes and swoon,
Carried along,
Swept downstream
By lullaby and dream,
Crossing borders, continents,
And cultures … until
The final soft braking of a violin
Brings us to a halt … a full stop

Here.


I first heard this piece on the BBC World Service, played by the Szymanowski Quartet.  However, I couldn't find their rendition on the internet, nor, when I contacted their website, could they provide me with a link.  You'll notice the title has changed, but it's essentially the same song, a lovely piece.


Click to listen


Click to read

You can comment here




Saturday 7 March 2020

There, there Dvořák's New World Symphony, a poem
















Epiphany

On the radio, where music has been unspooling uselessly,
I recognize the pan of Dvořák’s camera across the galaxy,
Its slow zoom onto something small – it could be me.

Pushing aside the insidious connection with the Hovis advertisement
(brown bread – dead), I soar; largo: a slow, broad, dignified treatment.
There’s an elsewhere here too: Bieszczady, a prickling sentiment.

Under a night’s vast sky, the crouched, looming mass of trees
huddled; shuffling together around the lake, brought to their knees,
They whispered dark prayers, a confessional sifting of leaves.

I am old technology and my tape player whirred and stuttered
The New World Symphony, from the Proms; a candle guttered
With the breeze rising up from the shore, a promise uttered

In an inflated currency.  The wooden cabin creaked like a ship
And I gripped the handrail of the veranda, leaning against the tip
Of sky and sea, of stars and planets, feeling suddenly adrift

High above the lake, with its glittering slick of moonlight;
The music sublime.  Then there are those moments, those slight
Pauses: the meaning is in the waiting: a sudden grasp, then the slide …

I picked up my bottle and followed a path to the lake side,
Stumbling through the trees and over roots - the pauses held
Inside.  I sat on a rock close to the water’s edge, still thrilled

By the light of Armstrong’s moon, its near reflection broken into timid
Splinters, trembling just beneath the surface, the water brimming
At my feet, somniloquent and restive.  I heard the doleful lowing

Of a distant cow, the closer engine hum of a frogs’ chorus revving
In the autumnal air (though still August), the gulp of a fish surfacing.
I listened to the dark radio of the lake with its glowing

Points of stations broadcasting tinny music and frail human voices,
Snatches of songs, laughter, across its caliginous breadth, noises
Keeping loneliness at bay; still I held on tightly to the pauses:

Wide open spaces big enough to begin a whole world, a whole new world,
Yet small enough to live in, to be a part of.  In the beginning was the word …       
If I could hear it … but the pauses lengthened, became silence, emptiness, a void.


Suddenly filled with it - weightlessness: a transparency holding light.  “Here I am!”
Nothing but the echo of my voice travelling towards me, away, across space and time,
The trees lifting their heads, wringing their hands at the soft urging of the water’s solipsism.

It was a conundrum, an anagram.  In answer, a dog barked backwards across the lake.
A dog in the manger!  A dog’s dinner!  I hurled my empty bottle into the black
Water and clambered back up the hill to open another: I had a thirst to slake.

So a memory is fashioned to furnish a life, to adorn its dark corners: a threadbare
Sentimentality that makes it feel lived in, like home.  And to know now that it’s not where
Or when or if or how; and there’s no what or why to release a breath held – a pause –


In a life’s prayer:  No elsewhere, but here.







Click on the link to listen to the second movement of New World Symphony:

https://www.youtube.com/watch?v=pHyN3izk38c


Silence ... pauses ... comment?



Friday 14 February 2020

downhill. Manuel De Falla and a poem


Jota (from Manuel de Falla’s Suite populaire espagnole)

A

dance

perhaps

a dream

so as the

music builds

begins to reel

I lift my feet from

the pedals and freewheel

down winding roads down

steepening hills through verdant

English country lanes hedge and field

farm and village my vision blurred with

speed eyes tearing yellows and greens smeared

the scenery tumbling the ripped flags rags of colour

flapping happiness escaping like bubbles streaming

from my smile-stretched mouth a flood of unbearable

joy racing though my blood bitter-sweet as a memory apocryphal

the road levels the music slows drifts fades stops silence for a moment coasting the earth

turning under my feet the clouds gliding over my head and I am still drawn forward by this

unrelenting backward movement this undertow and I cannot turn back there’s no second ride I

brake                                                                                                                                   awake.  



Click on link to listen to Jota
https://www.youtube.com/watch?v=26JWcuIBB5M


Thank you for reading.I would very much welcome some comments.

NB The visual effect of this poem is better seen on a computer rather than a phone.